You step into the hall. It is dark and lusterous. The highly polished (not by Stella ever) floor is a strange square shape. Rather the size of tea chests (which it was, Stella said it was all they could afford). The keys are returned to the bowl where they live on the big chest of drawers under a huge painting. The signiture says Brat. This in fact was John Bratby's painting called Greenhouse. Almost perfect for the space, but saddly not absolutely. Was it a careless handyman from the Lloyd Baker estate who did not realise they ment the other side! Under the venetian glass 'chandelier' you remove your coat, 'please come in the front room' This way.